All I want this weekend is some charmth to warm my soul. And few actors are as charming as Audrey Hepburn, so she’s my preferred company today. Just familiar stuff, so I can wallow in the details without worrying about surprises and other nasty things. Plus, she must hold some kind of record for acting in the most number of movies set in Paris and I could definitely do with some Parisian romance this week.
A few favorites amongst some of her less-discussed movies:
1. How to Steal a Million
The movie that made me fall in love with Peter O’Toole despite my father’s best efforts to traumatize me as a child with repeated viewings of Lawrence of Arabia.
It’s really an amusing trifle but as a caper it hits just the right spot – O’Toole is adorable as the bemused would-be art thief shanghaied into helping a family of accomplished forgers thanks to the go-getter daughter of the house. It has the kind of 60s silliness that makes that whole era such fun: hi-tech gadgets and yummy fashion and amazing cars. And smoking hot chemistry that doesn’t require anyone to get naked.
Well, maybe a little naked but it takes place discreetly offscreen.
2. Robin and Marian
A look at the lives of glorious heroes long after the cheers have faded into memory, this m0vie was written by James Goldman who also wrote The Lion in Winter and They Might be Giants (all you Sherlock fans might want to check it out). For this reason alone, it has long been on my list but it took Flynn Week to bring it back up.
And it certainly doesn’t disappoint. It’s not really “Robin Hood” except in name but works really well as a movie about young men who dedicate their lives to a higher cause, the young women they leave behind, and what happens when life catches up with them.
3. Two for the Road
I’ll never forget the very first time I saw this movie thanks to that one scene in which Audrey and Albert Finney discuss the silence of married people at restaurants. It’s the kind of writing that comes back to you at unexpected moments; the simple honesty of little things that you never quite analyze until someone points it out to you and then it remains bound to your memory of that person forever.
This is not the movie for you if you’re looking for the “classic” Audrey Hepburn experience with the wide eyes, the chic clothes and the ladylike language – you’d have to choose director Stanley Donen’s two other, more famous, collaborations with Audrey for that fix (Funny Face, Charade).
An examination of a couple’s marriage over a decade as they go on various road trips, I often wonder how it would have played if Elizabeth Taylor and Richard Burton starred in it… and I mean that as a compliment.
4. Paris – When it Sizzles
Look at that trailer! Don’t you want to see it? It’s like this movie was made to make all writers of fanfic green with jealousy – will your insane (-ly sexy!) storylines ever be acted out by anyone even half as awesome as Audrey Hepburn and William Holden? I think not!
I have to say, analytically speaking, you end up wondering if this movie about a hard partyin’ screenwriter forced to submit the allegedly phenomenal script he’s been working on in gay Paree and the assistant he finds to help him crank it out in time was more of a docudrama than fiction. There’s a distinctly cobbled together feel to the whole enterprise. But who wants to speak analytically? It sounds like a painful medical condition! Talking about medical conditions, these two ought to do something about this fatal attraction their mouths have for each other.
5. Love in the Afternoon
This movie was an eye-roller even when it came out, but if you have a thing for Autumn-Spring romances – and much as it pains me, I must out myself here – then this absolutely charming. It’s not as sweet as Sabrina but Gary Cooper works much better than Humphrey Bogart.
And as hilarious (-ly sexist) as that whole “connoisseur of women” stuff sounds in the trailer, it’s even more funny in the movie as you watch Cooper drip charm in a tuxedo tailored for Cary Grant. But it kind of works too – you buy him as the great big, rough American millionaire who likes his dames with exotic accents. There’s a certain hard-living hint of sleaze about him that’s very unusual for roles of this kind. And Audrey is, of course, utterly delicious and extremely young.
It’s like chicken soup for my heart.