The cringe-fest known as Bride & Prejudice aside, Jane Austen makes such a terrific fit for Bollywood, I find it surprising that Aisha – the upcoming remake of Emma starring Sonam Kapoor – joins rather thin company.
Besides, Gurinder Chaddha’s ode to Bollywood was only dubbed into Hindi and awkwardly at that. The only successful adaptation so far that I can think of is Rajiv Menon’s Kandukondain Kandukondain in Tamil starring Aishwarya Rai and Tabu – and it laid an egg at the box office if I remember right. Maybe one of the other industries has had better luck?
The Brontes get a couple of Dilip Kumar (Sangdil based on Jane Eyre and the insufferable Dil Diya Dard Liya based on Wuthering Heights) and Rajesh Khanna movies (the yawnfest Oonche Log based on Dil Diya Dard Liya) while Austen can barely scrounge up a couple of Aishwarya Rai-starrers? The world is odd.
And now there’s Aisha, perhaps Abhay Deol’s most mainstream movie since his debut Socha Na Tha. Yay! I’ll admit to certain pangs after viewing this trailer right after the one for I Hate Luv Storys but I’ll give Sonam Kapoor the benefit of the doubt for now. After all, I’ve only seen two of her performances and one of them is invalid because Saawariya was all about Sanjay Leela Bhansali. In any case, there’s nothing wrong with being a one-note actor as long as you can find movies that cater to that one note. Please watch Knight and Day for a master class tutorial.
Meanwhile, thanks to Beth, I got a chance to have a little chat with Devika Bhagat (read my review of her TV show Mahi Way). Here she is on working for YRF, the benefits of having a woman in charge, how Abhay Deol makes things better, and – oh yeah – Matt Damon playing water polo. Ahem.
How much does the actual casting of your movies correspond with how you imagine your characters when you’re writing?
I have never written a screenplay keeping specific actors in mind. That would box the characters. (Once for a film that shall remain unnamed, the producer mentioned John Abraham’s name during the scripting stage for the male lead and after that whenever I would write the character’s scene, I would imagine him shirtless – not good!)
The only significant change was made in Manorama Six Feet Under. The main protagonist Satyaveer, was meant to be a down and out 45 year old. But once Abhay Deol was cast, the age of the character was brought down to 30 and therefore changes had to be made to the script to fit a 30 year old in terms of the character’s cynicism and excess baggage!