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Tag Archives: unintentional hilarity

Dogs, Whales and Men

My friend was outraged. The proud owner of two enthusiastic Great Danes, a mother-son duo, he’d looked forward to the male’s first official date. The breeder had shown up with an attractive female of acceptable pedigree in tow and they’d solemnly escorted the pair up to the terrace where the excited young male chased the puzzled female around for a bit.

Problem was, my friend’s dog was the runt of his litter. In fact, I think that’s why he got to stay behind with his mom – nobody wanted a Great Dane who was merely as tall as they were instead of one that towered over them. This made absolutely no difference to my friend and his family, of course. They loved him for who he was, not for a checklist of points in some breeder’s manual.

But when confronted with his new ladyfriend, certain truths had to be faced. He might have a delightful personality but he was simply too short for the job. The only way he was getting laid was if the girlfriend lay down out of pity… and she clearly wasn’t that kind of girl.

“We have another option,” said the breeder, conveying the sad news to my disappointed friend. “I could help him.”

What, get him a crate to stand on and hope she didn’t move?

“No, no,” said the breeder. “I can get a specimen from him. It’ll only take a minute.”

“He wanted to molest my dog!” my friend reported, aghast and ashen-faced. “The dirty motherfucker wanted to jerk my dog off! What kind of sick bastard suggests something like that? I threw him out of the house and told him never to come back!”

I don’t know what happened after that – for all I know, that particular dog now has a pack of half-breed puppies running around town, fathered on more convenient, shorter females. Or maybe they fixed it so he’s a lifelong bachelor. Who knows? But he certainly wasn’t depositing samples into some breeder’s test tube. Or whatever it is breeders use. (Silk handkerchiefs? Stockings? Flannel? Do I really want to know? No.)

I do remember thinking that it was a good thing my friend wasn’t born on a farm or a ranch with a breeding program because horses, cows and pigs get regularly touched in their no-no area by white-coated professionals in the faster, bigger, better business. But I guess knowing that artificial insemination exists is quite different from seeing it practiced on the pet you raised from its birth.

Like zoo animals. Let’s not forget zoo animals. Artificial insemination is the cornerstone of many a conservation effort carried out by modern zoos. It’s not always possible to satisfactorily matchmake between polar bears or giant pandas or komodo dragons… or orcas.

Tommy Lee’s letter about harvesting sperm from killer whales got my attention for the amount of time he spends obsessing about the method of extraction. Like, what did he expect? What would be a better way of getting sperm from a giant whale? They could:

  • Stand at the poolside and throw a big specimen jar into the water where the whale could deposit his business like a gentleman with opposable thumbs
  • Use a device made with synthetic fibers so the icky cross-species touching (of which neither is aware since the cow is dead, unless some unfortunate bovine is running around the United States without a vagina in which case, Jesus! forget the whale, let’s save that poor cow! or even worse, it’s a live cow with a cootchie full of hot water, and you know what? I’m going to stop right now. And the whale doesn’t know because… well, it’s a fucking whale. If it ever sees a cow*, it’ll eat it and ask questions later) doesn’t occur
  • Offer to pay $20, payable in Soylent Green or whatever it is that killer whales eat
  • Get them drunk
  • Advertise along the international killer whale route for volunteer orcas.

I don’t know if his problem is with Sea World keeping whales in a pool to perform tricks for children, or the whales being masturbated at all, or Tilikum in particular being treated as the “sperm bank”, or the method employed.

*Actually, the “cow” in question is, I think, a female orca. Which is fucked up in its own necrophiliac way but imagining a whale getting with the kind of cow that goes “Moo!” is even more screwy, so that’s what I’ll go for.

 
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Posted by on December 8, 2010 in Celebrity, Life, News, Newsmakers, Video

 

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Raunchy Haunch

You’ve heard of leg-men and ass-men and boob-men – but did you know Indians were thigh-men?

The first time I even knew this was a possibility was when Shilpa Shirodkar still had a career. It was way before my time so I have no idea how she suddenly ballooned several sizes over the course of a year (?) from a fairly unremarkable starlet to a big girl whom lecherous directors delighted in squeezing into rustic costumes much too small for her. (And then drenched her in more water than the annual rainfall of that area, of course.) What I do remember is that she immediately started appearing in the back-page gossip columns of Sunday supplements as the pin-up du jour for all “thunder thighs” enthusiasts.

Even that term makes no sense to me. I’m all for alliteration but that’s not even a sexy one. It beings to mind someone who’s so obese, the ground shakes when they walk. Except it’s clearly meant to be a compliment. The reason Shilpa Shirodkar sticks in my memory, for instance, is because the writer came off as extremely creepy even to my uncomprehending young eyes as he wrote about his vision filling with her supple thighs as he sat down to interview her and how all that weight gains had done wondrous things to her figure. Ew.

South Indian actresses get this a lot, I’ve noticed. In fact, that’s what brought it all back. It’s impossible to look for videos of Sridevi, for example, from her late 70s-Jeetendra 80s period without running into a legion of her devoted fans all busily drooling over publicity stills of her wearing shorts.

And clearly, this was something the people involved appreciated because once you start looking at them without a giant frame of WTF dancing in front of your eyes, you notice that the photographs carefully focus on their thighs. The women are frequently wearing shirts buttoned up to the throat, but with their legs drawn up to present their thighs.

I’m aware there are women out there who are obsessed with their thighs and some people spend more time thinking about it than others – Jezebel’s Thighlights never did anything for me, but to each their own, right? – but when Google shows me headlines like “Shocking Thigh Show!” I have to wonder what the deal is.

 
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Posted by on December 5, 2010 in Celebrity, Entertainment, Life

 

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Rakhi Sawant for Prime Minister

Although the time on her clock reads well into the 16th minute, Rakhi Sawant is still going places – like the unfamiliar pages of Filmfare. The interview, a rare one from a magazine devoted to its upscale Not-Your-Mummyji‘s-Gossip-Rag brand, starts off with Rakhi flipping out at the sight of the Louis Vuitton outfit and Ferragamo shoes the team has arranged for her photoshoot.

Not in the way they were expecting though:

“Which godown have you picked up these chindis (rags) from? There is no red, green, blue, purple, no glitter. My fans will think I’ve become a bhikhari (beggar) if I were to wear such clothes.”

I think I’m supposed to laugh at her, but honestly, I’m laughing at the magazine because they just got served. Whatever her faults, Rakhi clearly isn’t a brand-fucker. Eventually they seem to have got her into an oversized Diesel tee, and a Just Cavalli top paired with shorts from Mango. Couldn’t make her let go of her pancake though. One look and I already know this is going to be the best interview Filmfare has landed in ages.

Sure enough, she talks a little about hosting her version of Judge Judy, which seems to be more Jerry Springer going by the promos, and then launches into talk of how she’s let Jesus take the wheel:

Being an item girl doesn’t mean I dance around all the time clad in a ghagra-choli. I am a good human being, a God-fearing girl. Before taking up any work, I take permission from Jesus. If it requires me to expose, I refuse it. Like I refused “Meethi Chhoori” and Ram Gopal Varma’s “Phoonk 2″ because I didn’t want to expose or be part of a horror film.

God hates slags! Just in case you didn’t know. Various other meditations follow: she’s come to realize she’s a heavenly alien “here on a transit visa” after she read the Bible. Other things the Bible taught her -

  • don’t be a bitch
  • pay taxes to God (10% flat rate)
  • it’s better to be God’s kid than a star kid. Who’re all miserable failures anyway (especially that loser Hrithik Roshan who needs his daddy to make him movies)
  • be nice to your mom and she will ask for less money
  • don’t have “dirty sex” with drugs and booze when all you need is Viagra – “alcohol is Satan’s mouthwash”
  • the Devil is behind all the hate that comes her way
  • she’s now a national icon on the level of Amitabh Bachchan
  • Shahrukh Khan’s decidedly un-Christian antics at awards shows is proof that the world is biased towards educated elites.

Well, really. Who could argue with any of that? My head throbs just thinking of it.

Q. What about your love life now?
A. I am madly in love. I am married. Jesus is my husband.

Just call her Fraulein Maria. Jesus is her Captain but if some nice, clean-living teetotaler with perhaps no money but definitely much piety were to cross her path, she’d marry him. Not that she really needs him because, let’s face it, Jesus is a tough act to follow.

In fact, she’s writing a show about the life of Jesus Christ – she’s got about 50 episodes written already – but not a single channel will put it on because they’re all temples of sin, devoted to carnality and destined for Hell. And furthermore, if Ekta Kapoor wants the honor of working with her on this project, which might save souls unlike her usual sinful stuff, she can just approach Rakhi herself!

After all, is God visiting Ekta in her dreams to advice her about the sins of plastic surgery? Nope! That would be Rakhi Sawant, thank you very much. Who is now much more famous than this Mallika Sherawat person (lurking sadly in the pages of this very issue, saying outdated things like: “Obama is a stud!” Yawn.) who is only known for taking her clothes off.

Q. Where do you see yourself after five years?
A. I see myself in Lok Sabha as a clean politician. Without wearing khadi, I’m doing a lot of social work. But you also need power to make a difference. However, everyone wants me nanga (nude) on screen. But I won’t wear a bikini or short dresses. I’m not dying to do films, I’m doing reality shows.

Well, of course! Why didn’t any of us see this coming? Get ready for Prime Minister Rakhi Sawant in 2020. She’ll be the one in a spaghetti strap handloom saree at the United Nations General Assembly, mediating a Middle East intervention where the Israelis and the Palestinians get to bitchslap their differences out on live camera. Eventually, she’ll step in and make peace based on the hard-won experiences of her tragic life, after which they will all dance together to the tune of a Bollywood item number.

Oh, you scoff now but you’ll remember this post one day.

In other news, if you hear blood has started pouring out of the eyes of a Virgin Mary near you, please don’t be alarmed. Just hand her a hanky. It’s not every day a woman gets Rakhi Sawant for a daughter-in-law.

 
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Posted by on November 2, 2010 in Celebrity, Entertainment, Newsmakers, Video

 

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Rakht Charitra: Suckered Again

<i>Rakht Charitra</i>: Suckered Again

Here’s a sentence I type less and less often as the years go by: I was truly excited to watch Ram Gopal Varma’s new movie. A fictional account of the blood-soaked real life of Andhra Pradesh politician Paritala Ravi, Rakht Charitra sounded interesting and right up RGV’s alley. Gore, politics, revenge, it had to be a knock out of the RGV park.

Well, I don’t know which angel RGV decided to piss off by taking a dump in its bed, but Rakht Charitra is terrible. Not in a lights come on and you look over at your date and immediately apologize for picking this movie of all the tens available kind of way, but in a shoulders slumped in defeat as you slowly huddle into your miserable seat and sadly shake your head way.

Rakht Charitra is an orgy of all the hacky bits of filmmaking that have become the RGV hallmark of late, from mysterious/dizzying camera angles to boomingly obvious background scores to attention-destroying close ups of every other actor’s nostrils… now with the added benefit of the worst narrator ever employed by a movie. Bar none. His one direction seems to have been: “Pretend every word you speak is a breech baby to which you’re giving birth.”

And what words they are! After introducing us to the town of Anandpur, the kind of skeevy, dusty, violence-strewn place that we’ve now come to expect of our rural interiors at the cinema, our narrator helpfully informs us in his over-enunciated, weirdly accented manner that blood is the accepted way to settle things here – especially when it’s a matter of ego, women or privilege. And therefore, he continues, the history of Anandpur is a history of blood. A rakht charitra in fact! So clever.

Apparently RGV only expected idiots to come watch his movie (and yes, I feel like one now, thanks for asking!) because this distressing pattern doesn’t end after the introduction. Instead, the narrator regularly puts in an appearance to thunderously explain a scene, after which you see the scene take place.

  • “The snake is coming out of his lair!” – the villain is about to leave his house.
  • “She didn’t know this then but he had set out on a long journey.” – and our hero hops on a scooter and rushes off to his faraway, troubled homeland.
  • “His ego was hurt by X event so he asked his assistant who was behind this deed.” – three guesses what happens next.

The sad part about all of this, the reason I’m so viciously disappointed, is because there’s actually a good movie hidden somewhere in the middle of this mess, performed by actors who’re pretty good at their jobs.

I feel especially bad for Vivek Oberoi, a man on the Ben Affleck road to redemption, who turns in a what I suspect was a fine performance if only I could penetrate that cacophony of tricks RGV unloads on top of it. There was his (unintentionally) hilarious entry scene, for instance, wherein he exudes menace, riding a Bajaj scooter and opening the unoffending gate of a suburban house in a nice neighborhood so he can ask for his girlfriend’s hand in marriage. The one standout scene, before it succumbed to the everpresent trowel-full of obvious ham, comes late into the film when he stands before the pawn he’s just utilized to his best advantage, standing bathed in the golden glow of the sun, a well-barbered young man in shining white, all the better to appeal to public opinion.

I try really hard to go with the movie presented in front of me, rather than the movie I think ought to exist in its place, but every so often I come across one that is the equivalent of an old friend who greets me by slapping a dead fish in my face. It gets rather difficult to look past the fish to the friend standing beyond. I honestly feel RGV is a man with a lot of interesting, creative ideas who, in the wise words of Tim Gunn, doesn’t know how to edit. So he just sticks everything in there.

Anysmellydeadfish, the movie begins with an easily manipulated politician called Narasimha Reddy whose righteous friendship with his lower caste protege Veer Bhadra lasts all of two watered-down Scotches after it is given the evil eye by a painfully obvious manipulator called Nagamani Reddy (Kota Srinivasa Rao). The fallout results in a simmering caste war that promises to play out at the local elections, threatening to unseat the Reddys from their power base. Nagamani, with Narasimha’s blessing, then takes his grudge just that teensy envelope-pushing bit too far and assassinates Veer Bhadra.

His mantle of idealism thus falls on elder son Shankar (Sushant Singh), who carries it with grief, pride and a healthy dose of guerrilla warfare. This obviously gets him murdered in short order as well, leaving just Pratap (Vivek Oberoi) to carry out the family mission: kill all those who wronged their family and, time and energy permitting, society as a whole.

Unfortunately, once Narasimha and Nagamani have been despatched, with a modicum of elan I might add, Pratap finds his troubles aren’t over. Now Pratap is a wanted terrorist and Nagamani has left behind his infamous son Bukka (Abhimanyu Singh), who “changed the definition of vile” the ever-knowledgeable narrator informs us over a montage of said Bukka being suitably changing the definition of vile. Sigh.

Happily for Pratap, Bukka is an equal opportunity son-of-a-bitch and has succeeded in pissing off Shivaji Rao (Shatrughan Sinha), a carpet-bagging movie star turned politician, whom he hilariously scares away from Anandpur with a few well placed bombs. Outraged that he, the man who regularly beat up entire armies single-handedly on the big screen, was forced to turn tail and run offscreen, Shivaji wants to know: “How can a demon like Bukka exist in a democracy?”

“What do you mean how?” asks his befuddled assistant. “He exists therefore he is.”

I chuckled far more heartily than this little sally deserved but at a certain point, you take your joy where you can get it.

Thus, Shivaji and Pratap join forces – Pratap’s no dummy after all, and he’s powerfully attracted to Shivaji, the most Machiavellian figure he’s ever met, and his amazing ideas like keeping Pratap out of jail by turning him into a politician so he can murder all he wants while staying above the law. Oh, Nagamani, if only you and your pitiful tumblers of Scotch were alive to watch and learn, abashed, the art of skillful manipulation from a man who prefers to stroke the heads of gold tigers than rapey sons.

As the problem of Bukka is solved, with more helpful exposition from the narrator, Pratap sets about his business, cleaning town and taking names. In between all this is an honest cop (Ashwini Kalsekar) who shows up to remind you that honesty never pays, especially in an RGV movie; and various wives, widows, sisters, hookers, pillion-riders, billboard models and girlfriends, all of them sad, desperate and sinned against, except for Nandini (Radhika Apte). Pratap’s college sweetheart turned wife, she is the sort of fool who calmly listens to her beloved telling her he’s indeed a much-discussed murderer who plans to murder again and decides that’s just what she’s looking for in the father of her children. Off she goes to walk silently by his side in the forest and give meaningful looks in the background. She’ll get hers, I guess.

In the sequel! Wherein Pratap will be presented with his butcher’s bill. But apart from the little “scenes from our next movie” they tacked on to the end of this one, I have no idea what that will look like because here’s a sentence I will never use again: I am truly excited to watch Ram Gopal Varma’s new movie.

 
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Posted by on October 25, 2010 in Entertainment, Movies, Review, Video

 

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Sorry for the Interruption

“As The Rama annihilled The Ravan; as The Krishna annihilled The Kansa, so we are sure, The Chavan will annihil The Chou.”

– The late owner of one of India’s most famous English dailies (the first one that popped into your head is probably the right one) in 1962, at a banquet honoring YB Chavan, the new Defence Minister.

Suresh Kalmadi isn’t even tops at screwing up his speeches. The only good thing about a massively disappointing week was this little anecdote offered as a piece of dinner conversation. Normal blogging to resume.

 
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Posted by on October 11, 2010 in Newsmakers, Personal, Politics

 

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For the Birds: Lafangey Parindey

For the Birds: <i>Lafangey Parindey</i>

“Born wild. Born to fly.” announces the poster with two pretty people in workout gear. No, it’s not an ad for underwear or deodorant. It’s the new YRF movie Lafangey Parindey.

Pradeep Sarkar is evidently working his way through time. First came the 1960s in Parineeta, his feature-length debut as a director. Next came Laaga Chunari Mein Daag, a movie set in the present with a heart that beat out a 1970s-style social message about… female empowerment, I think, is what they were shooting for. And now we have Lafangey Parindey, a modern day fairytale that feels weirdly 1980s.

In a Mumbai chawl is a little boy who worships the brawler he calls his older brother. The brawler’s name is Nandu (Neil Nitin Mukesh) and he fights illegal “boxing” matches for the local kingpin Usman (Piyush Mishra). Having opened the movie with his face making sweet, painful, bloody love to another man’s fist, Nandu staves off brain damage long enough to half-heartedly hint to the little guy that he might do better.

Continuing the circle of life in the chawl, Nandu and his bleeding nose want to be like Anna (K K Menon – growf!), the kingpin’s left hand man whom he worships as a role model.¬† Anna, in his turn, advises Nandu to stick to the straight and narrow – advice Nandu disregards to his cost, and that of Pinky’s.

“What am I doing here with these people?” Pinky (Deepika Padukone) wonders in the actress’ stilted Mumbai patois, wind in her hair and dreams in her eyes. Pinky has ambition and a talent for roller skating, both of which are going to take her far away from the hopeless hole into which she was born. Her destiny, she says, was written in English – so she can’t really understand all of it but she knows it’s gonna to be something else.

Unfortunately for Pinky and her grand plans, she meets the consequences of Nandu’s hero worship head on – and apparently her destiny in English read “Thwarted Ambition.” The silver lining is that the newly sightless Pinky is every bit a brawler like the guilt-stricken Nandu, coincidentally a man whose talent is for knock-down, dirty, bare-knuckle fights… while blindfolded. Artistic bruising optional.

Lafangey Parindey is the kind of story that chugs along by itself. You know the moves to this dance: grubby boy hurts princess girl, boy fixes girl, girl fixes boy right back.

Somewhere in the background is a real movie about petty crime and stunted ambition – the ancient waiter of the local teahouse drops a hint when pretty girls are on the horizon; the self-righteous Pinky who rails against the neighborhood trying to drag her down doesn’t think twice about mocking the scholarly ambitions of her kid sister; the police can’t be bothered to differentiate between one poor Muslim boy and another; Nandu’s decision to get a steady job instead of getting his skull bashed in gets incredulous stares from his friends. Nandu’s illegal fights earn him (and by reflection, them) respect, after all, a currency more valuable than mere money just as his partnership with Pinky is making national headlines. “It’s great!” one of them enthuses. “You can dance and you can fight!”

Throttled by the leads’ unrelenting prettiness, however, the movie soon settles down into a never-ending courtship daze. It’s true that the two of them try. In his short career, NNM has thus far displayed a genius for choosing roles that allow him to play a tense, jittery, one-wrong-look-and-I-bolt kid floating out of his depth and he seems to be settling deeper and doing better with it every time. Deepika’s gratingly awkward delivery of patois and the saccharine ending aside, there is a scene in which she quietly tears up as her goal comes within sight – and it’s really nice work. If only there were more moments of “try” rather than “trying”.

To Sarkar’s credit, he takes every opportunity to make sure the two of them are seen rather than heard. But there’s only so far that the power of pretty can take you. “One, two, three!” says Nandu, and abracadabra! Pinky gets the jedi powers necessary to navigate Mumbai’s slums on her own. “One, two, three!” says Pinky in her turn and Nandu transforms into a master skater, momentary stage fright notwithstanding, beating out Pinky’s former partner, the guy who put in so many years of practice, he was actually working with her at a skating rink.

But these aren’t things you really focus on – not if you want to get to the amazing climax when Shiamak Davar, Juhi Chawla and Javed Jaffrey show up as judges on India’s Got Talent and proceed to turn into giant oinking pieces of freshest ham. It is utterly fabulous! Totally worth my money.

Lafangey Parindey isn’t what I’d call a worthy follow-up to the charms of Parineeta, but at least Sarkar isn’t swinging for your head with the hammer of preachiness like last time. Props for that.

 
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Posted by on August 22, 2010 in Entertainment, Movies, Review, Video

 

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Awesomely Insane Jeetendra

Awesomely Insane Jeetendra

While searching for material to post during Sridevipalooza week, I made a mistake – albeit a happy one. I went to Youtube to look for clips and fell down a Jeetendra-related video-hole.

I’d forgotten, for example, that the man spent a good chunk of his life dressed like Errol Flynn. The results were so astoundingly, blindingly B-movie fabulous, I just had to share! Just to scratch the surface…

10. Jaise Ko Taise

What better to start us off than a spot of homoerotic S&M? Complete with gymnastics and crotch shots!

Because you’re special.

9. Badi Mastani Meri Jawani

You know what Sholay lacked? The part where Jai and Veeru are hung over a bunch of hungry lions while Basanti and Radha dance awkwardly in harem pants with a bunch of passing African tribesmen.

What? No self-respecting African lady would be seen without a feather duster on her head, I’ll have you know!

8. Kismat Likhne Wale Par

A floating gold throne gently deposits Jeetendra and Jaya Prada (dressed in doublet and apsara costume, respectively) in the technicolor land of floating disco balls. You know things can only improve from there!

7. Chumma Chumma

Apart from the amazing lyrics (the rhyme scheme alone merits it a mention on every list), what I particularly love about this song is the expression on both their faces:

Jeetendra: But… but… that’s not Jaya Prada!
Dimple Kapadia: What the fuck am I doing? That’s right – I have two kids to bring up.
Jeetendra: I don’t understand! Those are the right clothes but that’s not her! This one looks like she actually understands what she’s saying!
Dimple Kapadia: Wave hands! Raise leg! Wave hands! Raise leg! I can dance! And I have no idea what I’m saying! See? Kiss me, you fool!
Jeetendra: Fraud! There is no kissing between Jaya Prada and me – we only have pretend sex while partially clothed! Get off me!

6. Deewana

Mithun wept.

5. Oye Sanam-a

It is a crime to choose just one song out of Hatim Tai but since I can’t embed the entire movie here, this will have to do. Sigh.

4. Daiya Re Daiya

There are some things without which you really can’t call yourself a Bollywood Hero of a certain vintage – and one of those things is the honored tradition of blackface. Or, as practiced in Bollytown, dark green face.

Omigod! Is that Jeetendra under that “tan”? I totally didn’t recognize him! What a cunning disguise! Of course, all the pelvic thrusts helped distract.

3. Maine Tum Sang

Did you ever wonder what people did before they had CGI or if they couldn’t afford special effects? Well, this is your lucky day! The answer is: they simulated running in slo-mo and took over some school’s annual day decorations. An absolutely fabulous school, of course!

These two really made the best movies!

2. Nainon Mein Sapna

I don’t care what you say – if you were in India at a certain point in the 80s, you knew this song like your mother’s lullaby. You saw it on Doordarshan on those oh-so-special Thursdays (Fridays?) when the holy half hour of Chitrahar played state-approved movie songs. You heard it on the radio at your grandmother’s house. Your cleaning lady hummed it under her breath. You knew it, no lie.

Try getting it out of your head now. Muahahaha!

1. Yeh Mera Premi

The thunderous notes that open this song herald your entry into a whole another dimension. Canary yellow wigs! A handkerchief on Leena Chandravarkar’s head! Playing card motifs! The I-got-beaned-on-the-head-till-I-drooled expressions on Jeetendra’s face! Tights! Happy skips! Extras in lockstep! Nothing beats this song!

[pic source]

 
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Posted by on August 18, 2010 in Celebrity, Entertainment, Movies, Music, Video

 

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